Sunday, 19 April 2009

Questions we were asked at WHAT NOW

How do you select objects?

Form and content: how do you deal with them in your classification of the selected objects?

What's the transitional stage between objects and movement?

Where did your "obsession" for (with) objects come from?

What do objects offer you that nothing else does?

Are you more interested in the process or in the moment of performing/ presenting?

Do you ever feel that your research is meaningless (in general, as artists/people)?

Do you see your eventual score as directive or indicative?

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